Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

Thursday, July 15, 2010

An ending, a begining, and a ALA speech

I knew it since last year when I accepted the plan: in 2010 I wouldn't eat, I wouldn't sleep, I wouldn't go out of the house. Two books to illustrate in one year don't leave room for the rest of one's life. But I am done at last and starting tomorrow I am doing noting but putting my feet up and scratching my bellybutton while I travel to Mexico where my family and my vacation awaits me.
In the meantime, I am marking the end of a working season with a speech. This is the text of my acceptance speech at the Pura Belpre award ceremony at the ALA conference this year in Washington DC.
See you all when I come back with my bellybutton swollen from so much idle scratching.

*****
ALA Pura Belpre honor acceptance speech, Washington DC, 2010

When I was growing up I never, ever, imagined that I could be an artist. Even thought I spent much of my childhood drawing, and I was fascinated with how the lines of a pencil on a paper could make things appear―and I even got in trouble for doing so, I simply did not dare to dream of art and I together. To be such a thing―an artist!―I couldn't imagine.

Instead, I imagined being white. White with blue eyes and blond hair like the people that―I had learned―had it all. Like many generations of Mexicans before me, like my parents and my grandparents and their own parents, I had understood that to be smart, or beautiful, or talented, or important, one had to look different than me. You see, I grew up in a country that conquistadores indoctrinated with the belief that to be dark skinned or indian looking was to be like a child who needed to be guided and corrected. So powerful were these beliefs that they are still embedded in our popular culture, and even now many of us grow up admiring anyone who looks lighter, and we grant superiority to those who were born in another country, or speak other than Spanish. In my case, I accepted the fate of my features and my color, and so I didn't dare to dream being anything I thought wonderful, because, after all, I was just a brown kid.

Today that we are together at the Pura Belpre award, I want to tell you something; I love this celebration, and I await for it with as much anticipation as if it were my Primera Comunion or my Quince Años. I do, first, because this is a true fiesta, warm and colorful, much like the ones back at home with music and good friends. Secondly, because we are celebrating some of my favorite things in the world: children's books. These extraordinary works of art, which I discovered as an adult for the first time on the shelves of the public library in Walnut Creek, California, have changed my perceptions of the world and myself, and have given me a path to follow.Third, I love this celebration because you are here. Librarians, educators, book lovers, friends, we share the same passion. And when people with the same spark get together, we make fire. My writers and my illustrators being celebrated today, weavers of words, conjurers of images, searchers of meaning, keepers of stories; you are what I always really wanted to be, but I didn't know I could. Through the books that you create, kids like the one I was are finally the rightful protagonist of their own stories. In your books people like me are made of nothing but the right color, brandish the right accent, speak the right language, and―should we dare?--even wear the right clothes. In your books a truth is told: We are perfect exactly the way we are.

My friend Rose tells me that she believes that violence happens when we forget that we are all connected. Rose says we are one, all of us... her, you, and I. I only met Rose a few years ago, and she delivers sapience to me every Wednesday morning while we go for walks with my dogs.
If I had known Rose when I was growing up, I would have learned that while I felt I lacked everything , in fact I had it all. Because, you see, if Rose is right and we are all connected, what's yours is also mine. Those blue eyes I always thought I needed―mine. Just as mine is your black skin, and mine are your dreams, your talents, your triumphs. In exchange your get something too. Yours are my doubts. To you belong my fears―don't tell me you don't want them! And yours also is my passion for drawing, and my obsession to color. The nights I lie awake imagining stories are yours as well, and so is the joy I feel right now to be here accepting this Pura Belpre honor. In that token, yours is also my beautiful half Mexican, half Gringo son, and the love of my husband Tim, whom for many days and nights helped me arrange, light, and photograph the scenes of what became My Abuelita. Tony Johnston, since you and I are connected, guess what? This story you wrote about a round-like-a-calabaza Grandmother, her imaginative grandson, and one Frida cat, is mine as well. Gracias. I want you to know, my friends, that you are also the owners of the support of my editor at Harcourt, Jeannette Larson, who did not winced too hard when I announced that I was going to make the illustrations of this book differently from anything I had done before. “Puppets, paintings, and photographs,” I said, and I tried to sound like I knew what I was doing, but I didn't.

The result of this adventurous effort was far more than creating illustrations for a book. It was instead an opportunity to be a child again, kneading and shaping clay like I did so much as a kid, using the sewing machine to make little clothes like my mama taught me, putting the dolls I had built in scenes with little beds, little chairs, little dishes--trastecitos--and make believe they where alive. A dream come truth, for when I was a child, what wouldn't I have given to have an adult artist, like myself, to create all of those marvelous things for me. And just how children learn lessons about life in games, I learned something too. I'll explain.

For most of my youth I looked to people who were different than me searching for heroes and inspiration; what was familiar to me felt too poor, too common, too unsophisticated. I don't know if you realize but you don't need to tell Mexicans that we are undeserved, undesired, or unwelcome; we were taught that all of our lives! I am grateful for all of my life experiences, and so I am for this one too. But so I am grateful for the experience of children's books, like the ones we are celebrating today, because from they I have learned, and they have changed the way I see the world. My Abuelita has been not exception. While creating the illustration for this story, I had an opportunity to practice looking with ingenuity and curiosity at people like you and I, And do you know what I saw? I saw heroes.

Heroes of many colors; heroes grandmothers and grandfathers who at the peak of age take a grandchild in their arms to love him with all of their heart. Heroes who share books, who listen to children, who make them believe they have superpowers, who do magic tricks, who cook the food, tends the gardens, picks the fields. Children heroes who go to schools where teachers don't speak their language. Hero Families who cross borders with papers or without them, who tells stories under the stars, who risk their lives to come to unknown lands, who work tirelessly, who dream with a better life. Unstoppable heroes, I see. And since my friend Rose tells me we are all connected, while those might be your stories, guess what? They are my stories too. Thank you for so much inspiration.



Yuyi Morales

Friday, February 12, 2010

The Tomas Rivera Award comes to my home--in Mexico!

I was so concentrated this afternoon; I had sketches that I wanted to send out today as if a curse would fall upon me if I didn't send them out right before everybody at Candlewick left for the long weekend. I didn't even noticed that there was a frenzy of emails in my inbox from people asking me where, oh, where could they call my sister Magaly because they had great news to announce.

What To Do With A Paleta is this year's winner of the Tomas Rivera Book Award!

Now let me say that the Tomas Rivera Award people are humans of high caliber. They are some of the most caring, enthusiastic, and smart people I have ever known. They champion books as if they were sacred. They throw celebrations as for royalty. And now they could even make dreams come true: My sister Magaly lives in Mexico, could they... would it be possible... for them to make happen for my sister to come receive the award in person?

We are talking visiting visa for a Mexican here. Could they make it possible?

I am making this my dream.

Friday, January 22, 2010

Coconut paleta for me, please

The Charlotte Zolotow Awards have been announced and there, as the winner, is my sister's book, "What Can You Do With A Paleta?"! the Zolotow is given annualy to the author of the best picture book text published in the USA in the preceding year--the Newbery of picture books if you ask me. Here is the article from School Library Journal about the award and all the books selected this year.

Another list I am looking at, trying to chose some more books to add to my reading list, is the 2010 Best Books for Young Adults. Find it here.

Yesterday my friend Jim and I went to look for some of these books at The Storyteller here in Lafayette, a bookstore that exclusively sells children's books, and it is right here in my neighborhood. While we were there Jim and I decided to start a new tradition of ourselves. Every month we'll come together to the store and find at least ONE book that we love. Yesterday we both came home with our choice: Henry in Love, by Peter McCarty, have you seen that picture book? Exquisite!
Want to come with us next month?

Monday, January 18, 2010

Celebracion! ALA Awards anounced

While I am sure that everybody is celebrating the ALA award winners already, I am having my own, very early (5;57 am) beautiful moment her with my cat and my sleeping family. The Pura Belpre Awards were announced this morning as well, and now I can tell who the winners are. Yesterday night it was still a secret!:

Pura Belpré (Illustrator) Award honoring a Latino writer and illustrator whose children’s books best portray, affirm and celebrate the Latino cultural experience

“Book Fiesta!: Celebrate Children’s Day/Book Day; Celebremos El día de los niños/El día de los libros,” illustrated by Rafael López, is the Belpré Illustrator Award winner. The book was written by Pat Mora and published by Rayo, an imprint of HarperCollins Publishers.


Three Belpré Illustrator Honor Books were selected: “Diego: Bigger Than Life,” illustrated by David Diaz, written by Carmen T. Bernier-Grand and published by Marshall Cavendish Children.

“My Abuelita,” illustrated by Yuyi Morales, written by Tony Johnston and published by Harcourt Children’s Books, Houghton Mifflin Harcourt

“Gracias Thanks,” illustrated by John Parra, written by Pat Mora and published by Lee & Low Books Inc.


Pura Belpré (Author) Award
“Return to Sender,” written by Julia Alvarez, is the Belpré Author Award winner. The book is published by Alfred A. Knopf, an imprint of Random House Children’s Books.

Two Belpré Author Honor Books were named: “Diego: Bigger Than Life,” written by Carmen T. Bernier-Grand, illustrated by David Diaz and published by Marshall Cavendish Children.


“Federico García Lorca,” written by Georgina Lázaro, illustrated by Enrique S. Moreiro and published by Lectorum Publications Inc.


Who wants to join us to celebrate today! We are going out for dinner and champagne.

Monday, April 20, 2009

Fruitful

Yesterday was the Northern California Book Awards event at the Main Branch of the San Francisco Public Library. I have special fondness for this place because it was brand new when I discovered it, and to me it seemed so monumental and out of this world.
My book Just in Case was nominated in the children’s category. This event is somehow particular (for being a book award, I mean) because they announce the winner “academy award” style. No one knows who the winner will be until his or her name is announced.
The winner this year was Pamela Turner, with her amazing book A LIFE IN THE WILD about animal conservation Schaller.
Ok, I didn’t win, but while I was waiting for the winner to be announced a message was left in my cell phone. At the end of the event I found out that the call was to announce to me that Just in Case is the 2009 Americas Book Award winner! (Chicago D.C. here I come!) I don’t have the information about other books selected yet. The Americas Award committee comes up every year with a rich list of award, honors, and commended book to look for. I look forward to hear more about all of them.

In the meantime I will report another list that Just in Case made it into just recently; the 2009 Notable Children’s Books in the Language Arts. Here the criteria for the selection of these books:

“The charge of the seven-member national committee is to select thirty titles each year that best exemplify the criteria established for the Notables Award. Books considered for this annual list are works of fiction, non-fiction, and poetry written for children, grades K-8. The books must meet one or more of the following criteria:

1. deal explicitly with language, such as plays on words, word origins, or the history of language;
2. demonstrate uniqueness in the use of language or style;
3. invite child response or participation.

In addition, books are to:
4. have an appealing format;
5. be of enduring quality;
6. meet generally accepted criteria of quality for the genre in which they are written."


This has been a busy time of the year, and will only keep getting busier as I approach the end of another book deadline and the ALA ceremony award before the end of my summer in Mexico. But there are so many exciting things happening (like, for example, my garden in bumming all red, and yellow, and fuchsia). So, in the name of good times, here are some images from the Revisionaries, my writer’s group trip to Asilomar.

It is true, our group can’t get enough of being together (even after our bimonthly meetings and numerous of celebrations), so this year five of the six of us went to Asilomar and rented a house. While some of us walked by the beach some others attended the traditional SCBWI Asilomar Conference.

In her way back home from the conference, Jackie Woodson came and visited us. At the beach we found these strange marine plants.

At our little rented house, and unexpectedly, we hosted the faculty and volunteers party for the conference. Here are Maria and Gianna getting ready for the night.

But before the party we found a stray dog! She was running among the cars, but stopped when we called her. She was loving and tame but I couldn’t take her home with me. Eventually we drove her to the police station to wait for her owners.
End of the party. Dishwasher machine dysfunction!
Afterward we had too much free time on our hands.

We began cooking spying plans.
Here is Jim resting and unsuspecting of being a spying target ( Lynn was a target too, but she is not supposed to know about it).
We had a yellow mysterious liquid to deliver to his rightful owner (in reality it is only shampoo, but it had Jim’s name on it)Spying...


looking,
Hiding!

Ah, we are already looking forward to next year.

Thursday, January 29, 2009

Ethnic corazón

I could not evermore claim innocence after reading Mitali’s and Esme’s thoughts and reflections about Ethnic awards. These two women had the courage to start a conversation that others might run from. Furthermore, as they opened the forum, they inspired me to wish for a more perfect world.

I have added my thoughts to both their blogs as a response to their posting. And now I am adding them here, if only to remind myself that this conversation is valid and necessary.

Ethnic book awards: Discriminatory or Necessary?

I have received them, I have enjoyed them, I have them shine light to my work, and I have loved them.

I can only talk from my experience. I can’t claim to represent anybody else but me.

When I think about the questions that Mitali and Esme as well as other people have expressed about this awards, I don’t find myself with any answers but only more questions of my own. I confess I am partial to both sides of the equation. While I vote for inclusiveness rather than discrimination—no matter from what side—there is something I have experienced about the nature of these awards that eludes my reasoning and instead runs with my heart. Let me see if I can explain myself.

What I know from receiving these awards is that they are a celebration. People cheer, committees champion your work, put the word out, make you a party with music and all, invite everybody, give your book a medal to paste on the cover, and tell everybody to look, look, look! at your book

And so, if the function of an ethnic award like the Pura Belpre is to celebrate a writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth, why not then make the celebration broader and invite everybody to love the Latino culture and be eligible to win the award? After all , anyone who dedicates his or her time, talent, and efforts to create a great book about the Latino cultural experience, could only do it out of admiration and love for that culture, whether she or he is Latino or not. Or, is there any other reason to spend one’s precious time cranking a book about Latinos?

I understand that awards like the Pura Belpre and the Coretta Scott King award were born out of the need to encourage the work and shine light upon the otherwise obscured books of people from minorities at a time where authors and illustrators of color were everything but missing from awards like the Caldecott and the Newberry. Is it perhaps that the time has come to change things around? Have we reached the equilibrium we dream of? If not, I hope we will soon. My friend Rose tells me it is just a matter of time before love and lust erase the race lines completely. For now I find it interesting (and fortunate) that the Coretta as well as the Pura Belpre are being announced as part of the ALA crop of awards, because it is from this announcement that they receive their moment in the spotlight as well as their prestige. Were those awards to be announced in a different day or without the support of ALA, we might not be discussing them right now. Their impact upon readers would be different. And perhaps the audience looking for the result of such announcements would be different, even smaller in number.

To me the USA is a country of surprises. Anything unexpected can happen here. For instance, it was a surprise to me that here in the USA existed a book award that celebrated the efforts of people like me--multicolored skin, even Indian looking, heavy accent. I was surprised to know that all what I had believed to be against me in the past, was exactly what made me eligible. I must explain that I come from a beautiful and hardworking country that from colonial times and all the way to my parent’s generations, and more, had lived under the social unwritten code that claims that beauty comes in white skin, light hair and blue eyes, and that intelligence and reason does evade indigenous people, peasants, or anyone with dark skin. For generations we have been taught to give preference to others whiter than us. Breaking that mold has been the life work of many, many of my country people, but still there is much more to accomplish.

And yet, in my new learning, do I want people to lower the bar for me because of my history? Certainly not. I might have had a self-dubious start, but I am not without the capacity to amaze myself and others with what I do. If the ethnic awards were to disappear, or integrate, would I miss the celebration? Yes I would. Would there be other challenges to obtain? Certainly yes, because what I am is not Latina but a force.

But here is the other side. I have expressed in the past that I see the Pura Belpre Award as a regalo, a gift that is given to someone when you least expected it. At first the regalo goes to a book creator; an artist or a writer, and we receive the gift joyfully and gratefully. But after that, the gift is given to everybody. Once the award brings out the voice that there is a book worth of looking at, it is the readers who receive the gift next. In a way, the decision of the Pura Belpre committee to give an award to a person (an "ethnic" person for that matter) and not exactly to his or her book, has interesting consequences. You need to go to the schools to see it. You will understand it when you are propped in front of children—those of all possible colors, including brown, like me; who speak all kinds of languages, including Spanish like me; who perhaps struggle with their English, like I did; who feel like“tontos”, fools, unable to fit in the foreign culture, like once I did too. And then, in that moment when the teacher introduces you, and tells the audience that you have been the winner of this prestigious shiny golden medal stuck on the cover of your book, given here in the mythical United States to a person like YOU in recognition for the quality of your work, you can see it with your own eyes and your heart, that very moment when a child begins to dream that if you did it, he can do it too.

Tuesday, January 27, 2009

It was a great celebration!

We ate great food with family and friend, had tres leches cake, flan Napolitano and we toasted with champagne last night. There was so much in my list much to celebrate!:

1. I love my work
2. My friends surround me
3. My editor rocks
4. My agent believes in me with fury
5. My son inspires me
6. My husband cheers for me
7. When the ALA book award announcements were made, I a got a flurry of emails from people all over the websphere (and Facebook)
8. Margarita Engle won the Pura Belpre medal for narrative AND a Caldecott Honor for her book THE SURRENDER TREE; POEMS OF CUBA’S STRUGGLE FOR FREEDOM. Viva las Latinas!
9. I adored THE GRAVEYARD BOOK, absolutely my kind of story—dead people, witches, ghouls and a boy raised by all of them.
10. The celebrations have just begun

On Sunday morning we went to the movies. And an s a good patron I turned off the ring of my cell phone. Mesmerized my son and I watched Slumdog Millionairie and took on its terror and its incredible beauty. Then, of course, I proceeded to forget to turn back on the ring of my phone. And that is why, when the ALA Pura Belpre Committee called me that night with the news that my book, JUST IN CASE, was the winner of their prestigious medal and an honor, instead of receiving the call, I continued knitting my last winter hat.
Second year in a row that I miss their call. Would they ever give me another opportunity?

I realized I had a message before going to bed as I took my phone to be recharged. The good thing about missing the call is that now I have the “secret” announcement recorded in my messages, and I can hear it again, and again—as I did that night—and dream of my work being cherished by librarians yelling in unison, “Just in Case!”

Of course I didn’t sleep that night! If, in its kindness, the Pura Belpre committee believes that they spare me sleep by not calling me on Monday mornings as is costmary, they are very wrong (they do this when the conference is taking place in a time zone ahead of mine, given that the official award announcements happen very early in the morning). Who could sleep with such news! Instead I spend my nigh jumping around the house, brewing a new Señor Calavera video, and anticipating the excitement and the surprises of the official announcements of all the awards in just a few hours.

There is much more to come; the planning for ALA in Chicago, the ironing of my best tie, the putting on cologne, the pumping the tires of my bike. But for now, it is time to get my butt back on the chair, my hand on the pencil, and continue dreaming books.


Making Just In Case from Yuyi Morales on Vimeo.

Thursday, March 6, 2008

Little Night is the 2008 Golden Kite Award for Illustration


Those SCBWI folks always make my day! This is the third time in my life time that I receive a call from Lynn and Steve with good news.

The first time was eight years ago, when they announce that I had won the Don Freeman grant after I presented the very first illustrations of what eventually will become my book Just a Minute. A few years latter they honored me with a Golden Kite Honor.

This year? They left a message in my answering machine, to which I listen to after I came back from running with my dogs. This time my reaction was 1) to call back Lynn and Steve immediately, and 2) to try to do so by using my TV control remote.

That is what happens to my head when I am thinking with my heart.